Especially for animals and animal forms with only inhuman levels of toughness, I don't think the catch is always necessary. The additional mass and different physique just makes you tougher, it's not a magical shield.

And please, give him an aspect like "I have the right to bear arms".

Because she didn't use it, her Tag on Ghoul #1's Moderate Consequence is lost.

There is no discontinuity in temporality - the entire encounter is continuous, without pauses, breaks, or interruptions, and the entities involved have to stay on their toes the entire time.

If there were a single real example of a break, I'd let it suffice for a rest.  Say, something along the lines of that scene from The Phantom Menace where rotating force walls temporarily keep the combatants apart, and the bad guy paces while the good guy gets some meditation in.  That would count.  There was absolutely nothing like that.  Everyone is constantly in danger until they escape the killing field.

Jreafman: I like your ideas. As for the towers - my basic idea is that they are creating a powerful pattern with Prague's Orloj as a centre point. This pattern, when complete and active, allows time manipulation. Click and click. And you are giving me more ideas. In Ďáblice there is an astronomical observatory (a tower!). Just next to Ďáblice is Kobylisy with a target range where the Nazis executed their prisoners. North of Ďáblice is Panenské Břežany, the seat of Reinhard Heydrich (click) during WWII and just south of Ďáblice Heydrich was mortally wounded and died in a nearby hospital (click). Both Anděl and Ďáblice have metro stations. I'm thinking about such a situation: there is a fallen angel in Prague. Not a Denarian, more like some of the characters from the film Wings of Desire (click). And there is a she-devil, his counterpart, too. Both beings are fallen, crippled, not able to return back from where they had once come. Maybe they crippled each other during a fight a long time ago. They still have some power but can't use it on their own. Only mortals can tap into that for a brief time. Maybe both are just semi-conscious, lying underground, mentally aware of each other. Maybe they have come to terms with each other somehow, because of their state and unability to change that. Maybe they are playing some mental game of wits, using the city as their chessboard, manipulating both mortals and supernaturals into being their pawns...

As far as the Third and Sixth Laws go, it's important to look at the wording. 

For the Third Law, the verb is invade.  Pretty big negative connotations right there, it implies breaking in, violating it, etc.  It also shows why some mental magic is allowed, or how one can give a person permission to go on in. 

For the Sixth Law, if I remember the wording, it's something along the lines of 'not swim against the currents of time'.  Peeking your head up and catching a glimpse is one thing, actively trying to travel through time is another.  It would also explain why folks with talents for prophecy (such as Cassandra's Tears) aren't hunted down for it.

I think the tone of your game and the genre make a huge difference (as with all thing Fate) -- it's the context of the game, the PCs, situations, and their aspects.

The PC Bruce Wayne can make a lot of out-of-left-field Declarations with his Resources that the PC Harry Dresden might not even consider.

There are many places in the series where he identifies a threat by some small detail.  He also often takes the initiative in fights.  So I've given him a bunch of Alertness.  And he should probably have an aspect "It's a very distinctive ...".  I see his trouble as more of a Past he Can't Wash Clean.  Although I do think he should definitely have "I Don't Like Guns".

Great: Fists, Alertness
Good: Athletics, Endurance
Fair: Deceit, Might
Average: Contacts, Scholarship

I don't think his fighting style really goes with the stunt Too Fast To Hit.  He should probably have Tough Stuff (Armor: 1 vs. Blunt).  Maybe add in the Footwork stunt to make sure his defense stays high.  I don't remember too many times in the show where he saw through lies or forgeries, so I think he could do without Takes One to Know One and Forgery Expert.  Armed Arts would only be appropriate if he could choose improvised weapon with it.  Although frankly, I think the Leverage world uses a set of game rules where Fists and Weaponry are the same skill, and using a weapon just gives your opponent a -1 to block unless they are armed.  So when enemies use weapons, Elliot picks up a mop or something and defends until he can disarm them, then drops the mop and beats them up with his fists.