I'm 20 pages into my new script. It's a paranormal detective story..and I've just realized that I'm getting way too much influence from Dresden.
Does anyone have any thoughts on planning out a paranormal mystery? Or hell..any type of mystery for that matter. 'cause I keep hitting wall after wall with this one.
Your main character (detective or sidekick) needs to be able to observe everything relevant to the mystery, but keep his thinking to himself so he can surprise the reader. Harry does that by being a pain and sometimes leaving out relevant bits when giving directions to other characters, etc. (Like, 'So I placed a phone call and got things arranged' without actually saying what the heck he's arranging).
Sometimes it's easier to use a sidekick who doesn't actually figure out what's going on until the detective explains it.
Your suspects all need decent, visible reasons to want the dead guy dead (or whatever the mystery is), and access / ability to use the murder weapon, and so on. In a mystery you're not just plotting for the hero and the antagonist but for the other however many suspects. If you give them all reasons to mess with the detective aside from wanting to be cleared of suspicion, so they can keep on messing with him.