SCI-FI SCRIPTS WANTED (SET IN 5 LOCATIONS OR FEWER)

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Triton FIlms Inc. - Seeking Contained Sci-Fi Scripts
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We are looking for completed, feature-length, sci-fi scripts.  Material should be relatively contained, so ideally we'd like to find a story set in fewer than five locations, and the fewer the better.

Budget will not exceed $500k. We prefer Non-WGA writers Only at this point in time.

Our credits include "The Undead" and "Avarice."

TO SUBMIT:
1. Please go to www.InkTippro.com/leads
2. Enter your email address (you will be signing up for InkTip's newsletter - FREE!)
3. Copy/Paste this code:  9q0nhzvdjd
4. You will be submitting a logline and synopsis only.

IMPORTANT:  Please ONLY submit your work if it fits what the lead is looking for EXACTLY.

Opinion writing instead of creative but you never know... Any Mid westerners who like Broadway shows need a writing job...

http://www.broadwayworld.com/dayton/article/BWW-Seeks-Midwest-Editors-Ohio-Indiana-Wisconsin-South-Dakota-More-20140725#.U9QuQ7EcAT8

BroadwayWorld.com is currently seeking talented theater enthusiasts to head up feature coverage in the Midwest - Appleton, Cincinnati, Columbus, Dayton, Des Moines, Omaha, Sioux Falls, and South Bend.

All applicants should have excellent writing skills and an interest for giving local theaters and productions some prominence on BroadwayWorld.com -- the largest theater site on the net!

As a Contributing Editor, you will have the opportunity to review the shows of your choice, conduct interviews with local and touring talent, design features of your own choosing for publishing, and work/network with your local theater press reps to bring exposure to the theatrical offerings in your area.

Although the position is unpaid, your compensation as a featured writer with us not only includes exclusive press seats to all of the shows you cover (as is standard in your area and arranged between you and the theater) but also the opportunity to be published under your own byline and publishing profile on both the local and main pages of the site for maximum exposure to our 5M+ monthly visitors.

The position offers flexible hours and the convenience of working remotely from your hometown. (**Access to New York City is NOT necessary**). There are no administrative duties associated with the contributorship. You simply see the shows, meet the talent, and write on your own time and terms! (Note that some theaters require a specific publishing turnaround which you will negotiate on a case-by-case basis).

If this sounds like you, please send a resumé and one writing sample to Christina Mancuso at christina@broadwayworld.com.

I've been told this one is the one to get - http://www.amazon.com/Save-Last-Book-Screenwriting-Youll/dp/1932907009/ref=sr_1_1?ie=UTF8&qid=1404588774&sr=8-1&keywords=save+the+cat  -

Blake Snyder is a working, selling writer himself, so that gives the reader a true inside glimpse into what it's like, what it takes, and what to expect on the long road to screenwriting stardom. Many screenwriting how-to tomes are written by guys and gals who have few or no real studio credits, so with this book you can be sure you are getting the info direct from the source of a successful member of the Hollywood elite.

Snyder starts out with a bang, describing how important a good title, pitch and concept are, and giving tons of useful advise for whipping those log lines into shape, the best shape ever in fact, for as the author points out, many industry powerbrokers won't even look beyond a log line...so it better be good. Damned good. He then discusses how to make your story like everything else out there, only different, and if you can come to understand that paradox, you will be a success indeed.

We also learn about the importance of creating characters that fit certain archetypes, like the hero and the villain, and how the use of Jungian archetypes can help you shape and mold real people that resonate with the audience. Also covered is the importance of knowing your genre and how to best amplify the style of that genre.

Another chapter deals with the author's own system of breaking a script down to 15 beats, and how every successful movie fits this same beat system. We also learn the art of building scenes and the use of those wonderful index cards for moving and changing scene progression, as well as following the basic rules of a great story, rewriting and reshaping the script, and of course, what the heck to do with the darned thing once you've finished. I really appreciated the glossary of screenwriting and industry terminology, something every writer should know (or at least pretend to know in meetings).

Although this book does follow the mold of many other screenwriting books before it, focusing both on writing and marketing the script and including summaries and exercises for the reader to expand their understanding, the difference that makes this book stand out is the honesty and directness of the author in giving the reader every best chance to comprehend and conquer the inner and outer workings of screenwriting. "Save the Cat" (I'll let you find out what the title means on your own!) doesn't hold back on doling out the solid advise, and presents it in a way that will not only inspire screenwriters, but also make them more aware of just how hard it really is to succeed. No sugar-coating here, but plenty of motivation and great info packed into one book.

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    SCRIPTS WANTED WITH STRONG FEMALE LEAD

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    Chaos Productions - Seeking Female-Led Genre Scripts
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    We are looking for completed, feature-length action, thriller, sci-fi or fantasy scripts led by strong female protagonists.  We are NOT open to comedy or drama submissions at this point in time.

    Please note: we are not looking for something with a female co-lead of a male protagonist or anything that can be "easily adapted to fit," please only pitch screenplays with a clear, actual female protagonist.

    Budget will not exceed $10million. Both WGA and Non-WGA writers may submit.

    Our credits include "Spike" (2008) and "Raze" (2013).


    TO SUBMIT:
    1. Please go to www.InkTippro.com/leads
    2. Enter your email address (you will be signing up for InkTip's newsletter - FREE!)
    3. Copy/Paste this code:  fapsyfxsde
    4. You will be submitting a logline and synopsis only.

    IMPORTANT:  Please ONLY submit your work if it fits what the lead is looking for EXACTLY.

    If you aren't sure if your submission fits, please ask InkTip first.  Be sure to mention you heard about this from Jeff Gund at INFOLIST.com and please email any questions to:
    jerrol@inktip.com

SCI-FI / FANTASY SCRIPTS WANTED

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    Arnold Leibovit Entertainment - Seeking Sci-Fi/Fantasy Scripts
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    We are looking for completed, feature length, sci-fi/fantasy scripts.  We are open to any sci-fi/fantasy material except time travel stories.

    Budget is undetermined. WGA and non-WGA writers may submit.

    Our credits include the "The Time Machine" (2002) starring Guy Pearce and Jeremy Irons and upcoming "I Want My Baby Back" (found on InkTip) with director Kelly Makin (Mickey Blue Eyes, Kids in the Hall) attached.


    TO SUBMIT:
    1. Please go to www.InkTippro.com/leads
    2. Enter your email address (you will be signing up for InkTip's newsletter - FREE!)
    3. Copy/Paste this code:  u4b347c98v
    4. You will be submitting a logline and synopsis only.

    IMPORTANT:  Please ONLY submit your work if it fits what the lead is looking for EXACTLY.

    If you aren't sure if your submission fits, please ask InkTip first.  Be sure to mention you heard about this from Jeff Gund at INFOLIST.com and please email any questions to:
    jerrol@inktip.com

Here's some info on MUSICAL SCRIPTS WANTED - with original music already written.

Be sure to read the specific details below!

Feel free to forward if you know anyone who would be interested, and please submit only if your submission meets ALL the requirements!!

You should always be sure to register your material with the Writer's Guild and the US Copyright Office before submitting to any leads.

Good luck, have a great day, and don't forget to dream big!

-Jeff

Jeffrey R. Gund
INFOLIST.com
Follow INFOLIST on Twitter
Like INFOLIST on Facebook
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    MUSICAL SCRIPTS WANTED

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    Pigs Pictures - Seeking Musical Scripts
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    We are looking for completed feature-length musical scripts with original music already written.

    Budget will not exceed $10 million.  WG and non-WG writers may submit.

    Our credits include "Journey to the Moon" and the award-winning "My Angel."

    TO SUBMIT:
    1. Please go to www.InkTippro.com/leads
    2. Enter your email address (you will be signing up for InkTip's newsletter - FREE!)
    3. Copy/Paste this code:  empx8ksfbp
    4. You will be submitting a logline and synopsis only.

    IMPORTANT:  Please ONLY submit your work if it fits what the lead is looking for EXACTLY.

    If you aren't sure if your submission fits, please ask InkTip first.  Be sure to mention you heard about this from Jeff Gund at INFOLIST.com and please email any questions to:
    jerrol@inktip.com

    CREATURE FEATURE SCRIPTS WANTED

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    Sixty40 Productions - Seeking Creature Feature Scripts
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    We are looking for completed, feature length creature feature scripts.

    Budget will not exceed $1million.  Only non-WGA writers should submit.

    Our credits include "Escape" and "Broken."


    TO SUBMIT:
    1. Please go to www.InkTippro.com/leads
    2. Enter your email address (you will be signing up for InkTip's newsletter - FREE!)
    3. Copy/Paste this code:  zuas5qcvmq
    4. You will be submitting a logline and synopsis only.

    IMPORTANT:  Please ONLY submit your work if it fits what the lead is looking for EXACTLY.

    If you aren't sure if your submission fits, please ask InkTip first.  Be sure to mention you heard about this from Jeff Gund at INFOLIST.com and please email any questions to:
    jerrol@inktip.com