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Messages - Roaram

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Author Craft / Re: Looking For A Term
« on: April 24, 2009, 09:12:47 PM »
try googling things like the military ranks, orders of knights, royalty, you can get them  just for just about everything. just print out an easy one, and switch terms out at will to make it cooler. also there are some great forieg to english dictonarys on the web, so you can type in a position like "atteche to the lord general" and get it spit out in latin or portugues or whatever. good tools, for names and everything. some of the more in depth will actually give you brief histories on the rank, and what it meant back in the day....

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Author Craft / Re: Classic Magical School Drama all F&$#%d Up
« on: April 24, 2009, 08:14:57 PM »
I also think you need a good solid magic/mundane relationship description.

this is really the foundation of the book, what sets it apart from a high school dramma. with out knnowing the intrinsic details, everything sorta falls apart.

I kinda like alternate earth history. like maybe our earth is just a reject camp for mundies, and the real world is all super magic powered.....

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Author Craft / Re: Magic in my world
« on: April 24, 2009, 07:31:43 AM »
I really dig on the divinity angle for magic, I 'v been futzing with it for one of my own stories. and necromancy is never used enough as far as I am concerned.

my only concern is your description of the sorcery. I like the graphics description, the risk and the gain. even the total commitment to perfect concentration has a good amber resonance. BUT, instantly calling it the strongest? no limits other than your imagination and willpower? so, if I got this right, anyone who is stubborn, creative, and focused, can just auto trump gods? (three year olds can be awfully willfull and creative.....) maybe a little limitation would be a good thing.... that way your MC can't just become a god and bring everyone back from the dead with a riverdance if he WANTS it bad enough...

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Author Craft / Re: Classic Magical School Drama all F&$#%d Up
« on: April 15, 2009, 08:07:20 PM »
I don't mean to be a jerk here, so please take this as a constructive comment, and know your the author and all that jazz..

but I would have to say that your average student doesn't get caught up in the international scene all that often, and if two nations send international students to the same school, odds are good that its pretty spendy.

spendy works on the tuition angle. but the gumshoe angle is a little light. cast your mc as a bright kid on scholarship, who "completely unrelated to the murders" gets caught dabbling with some low level black magic charms and what not. (supplying magic brew-ski's to your frats) he's been doing this for cash, scholarships don't pay for lots of stuff, acedemic, or impressing rich girls. now, to save his ass, your mc is put in as a rat, trying to get the dirt on some rich frat kid whose mommy or daddy is connected. cause the heat wants an airtight case,

that way, you get a cool anti_hero MC, plenty of room for heavy hitters, and multiple stories to add depth. plus, once the cops got you, they got you. chaching sequel. plus, your MC might have a story or two just dabbling on the wrong side of the law.

just my suggestion, I think it gives you much more room to play, more real world cred, and lets you raise the stakes for the next run

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Author Craft / Re: Classic Magical School Drama all F&$#%d Up
« on: April 13, 2009, 11:18:45 PM »
Well, I really agree you will never get away from the other harry, ever. might as well make a high school story and hope you get away from sixteen candles....

but I like the idea. I think a story set in school is something most of us can touch base with. even the rough patches. I know you said you got the plot, but I just gotta beg you please no world ending crap. check out the movie "brick", a very well done detective nour flick set in a high school. I'm just saying I would never pick up a book about a semi-harry fighting lord volder-not. I would read a story about someone stopping the head of theta house from magic-roofying the local mundy girls......

which brings me to the everyday situations from high school. play with the book worm angle. every group of people always breaks itself into subgroups, class systems, cool kids and not.
and plenty of these kids don't want to be just their class. I mean, I knew plenty of girls who wanted plastic surgery, or had other problems having to do with self image. are glamour spells a disorder? there was a steroid ring busted up at my school. is there a spell for that? does everyone know that so and so has a glock wand in their locker?

and what does bullying look like when an adolescent knowitall can wipe the floor with a football team?

and how does morality get mussed when your a teenager with magic powers? I mean, how easy is theft when you can make yourself invisible? do mundy people matter? and what can a teacher do against a drive by hexing? casuse the local pd isn't gonna be much use.

basically my suggestion is just look at school life, and ask what would happen if magic got invvolved.

and your characters are all gonna have to ask themselves when do they run for help, and when do they handle it themselves, just like the rest of us. 

(by the way, most of my teachers were bored tired and underpaid, and didn't much care about kids unless they were gonna get nailed, how different is your world?)
 

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Author Craft / Re: Point of View Question
« on: December 29, 2008, 10:57:47 PM »
its very uncommon, but probably not unheard of. I think it might be a neat way to tell a kind of story, though its artistic license may not meet a publishers idea of cool. In my opinion though, italics for a whole chapter would annoy me. name the chapters after the characters, or make them totally different "voices" If you have to do a font change, just use bold. maybe I just have an unnatural dislike of prodigous italics.....

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Author Craft / More Info Please
« on: December 09, 2008, 08:47:46 PM »
I am an aspiring writer, and have been reading every article that I can get my hands on aboout what new writers do wrong. I have seen many article that say don't tell show, beware the info dump, and don't jump point of view too much or eratically.

And I get it too. The problem is, as I see it, all my favorite Authors change point of view. now I see info dumps and say "yeesh", and I notice when the writing retreats into blurred motion, when I would love to see the action (even Jim sometimes) but the POV I don't get.
I was wondering if anyone had professional examples or knew where to get them of awell written scene(s) vs the same scene done poorly?  I just want examples, either from a publisher or published writer so I know what not to do, thanks.

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Author Craft / Re: Mixing religious backgrounds
« on: December 09, 2008, 02:59:37 AM »
You could also write in spin off religions. Religions that your one true religion acknowledges, but focused on different aspects. Like in Norse myths there are the Ice giants, which you can give their own followers.

Or you could add panthe with desginatedd responsibilities. For example your Zeus and his family tend to the humans/greeks or other culture of choice, while Zeuses brother and his decendants look out for somone else.

Or you could do the whole false god bit, and say that the beings of power that your group A worchiped were not legitimate, or were unconfirmed in legitimacy. So rather than having one true religion you have one religion with more circumstacial proof.

all of these will let you incorperate multiple religions, with all the strife it brings.


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Author Craft / Re: Automata, chapter 1
« on: October 24, 2008, 12:04:58 AM »
To be perfectly honest, this type of story is just not my speed. the magic mixed with high tech usually just messes with my head.

that said, I enjoyed it. I think there was too much talking about whhat happened after it happened. like the battle ended with the golem swinging a tank tread. And while I do really enjoy the fact that you used non-standard creatures, like Golems and homoculi, I think your average reader will need a little more explaining right off the bat about what they are exactly. Like is your golem an earth elemental, or a unfeeling monster bent on destruction that can't be destroyed? I liked the hexers, and that its not an exact science, although I think it would be cooler if they were normal and not dressed like 80's techno punks.

mostly I would suggest tightening your POV and whatnot, and make the flow better. but otherwise good rough draft

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Author Craft / Re: New/Old Story Aspiring writer
« on: October 17, 2008, 10:44:35 PM »
I think your earlier chapters were better. This latest post feels very rushed, information dropped in a super convienant manner. The conversation with the priest seems like its there just to tell you he's  there, not do anything. I mean, is there typical conversation "figured me out" not yet "I don't know who I am" god loves you!

and I don't mean to be a schmuck cause I do like the idea, but what kind of amnesiac visits a priest? your main man is basically screaming his name can be found in the bible.

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Author Craft / Re: New/Old Story Aspiring writer
« on: October 09, 2008, 05:44:35 AM »
not ruined at all, I just like the sense of mystery, like that he doesn't really know everything about what's going on.

the teaser page just enforces this, and intrigues me more.

Still very intrested. if you need another test reader or anything I would be happy to help. or I will just keep responding

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Author Craft / Re: New/Old Story Aspiring writer
« on: October 08, 2008, 09:45:43 PM »
this chapter one hooked me pretty good. if this was the teaser page I might pick up the book. I really like the last line, how your character doesn't what he did, but did know he could do it.
If you have any more chapters or story, I would really like to read them.

on the constructive critisism front, I personally don't care for the opening paragraph. too much foreshadowing, and unless pshycic ability is what you are going ffor, too prophetic. Also, I think it sets up a more ominous threat than the badguys present for your guy.
the dialogue is rough, but easy patched. let the muggers swear, or make lewd comments. something natural for the rougher types. and when "kale" refers to them as gangsters, he sounds like he's  in the 40's. maybe use newer terminology like gang-bangers or wannabe toughs. other than that all I would suggest is during action sequences try getting a reader to describe or act out what you just wrote, if they get it right, great if they loook silly or wrong, clean it up.

constructive critisism done. I just want to say you  got me intrested, and I don't like most urban fantasy. I hope this helps, and I hope this wasn't to foreward or just not cool of me to say.

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Author Craft / Re: Strange Idea.... set in the Old West?
« on: October 02, 2008, 02:35:15 AM »
haunted mesa is my favorite,

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Author Craft / Re: Legal question of interest
« on: September 29, 2008, 08:48:10 PM »
 you can write a story taking place in the same universe as another story as long as you have permission. I know your not writing a book in the dresden universe, but say you did, it was good, and you wanted to sell it, you could go to the dresden publisher, or butcher, whoever owns the rights basically, and see if they would publish it.
many publishers use established universes to try out new writers, and get their names known. that's why you see so many star wars, star trek, dragonlance, warhammer books out there.

as for copywrite infringment, legally speaking, the holder of the copywrite has to proove that you stole their ideas. and as before mentioned it is very hard to proove that an idea is stolen, not just similar. plus if the holder of the copywrite borrowed their themes and elmemnts, it is much harder to proove.  for example, how many books have we all read that have evil wizards and orcs verses an alliance of elves dwarves and men? I have personnally read like five trilogys that copy the lord of the rings, almost to the point of story arc, and they didn't get sued. just because the similarities are all classic archtypes.
so its all about the points of similarities between two works. if you leave characters and specific names out of a dresden copy, you just have magic hiding in the real world, and you are in as much danger of getting sued by the owners of buffy or harry potter as you are of dresden.

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Author Craft / Re: Motivation for a Fellow Writer
« on: September 24, 2008, 09:51:17 PM »
depends on the friendship, I suppose. but I have been in the situation of having no time to wrtie, and making it a social event help get me focused. it didn't work the first couple times, sure. But eventually it did, and my friend who writes with me now is invaluable. I literally could not do it unless he helped. maybe now I could. maybe. but then? not a chance. I was that guy that had thirty beginings to stories, and could tell you the rest, but never got anything down on paper after chapter two.
my friend works as an editor for me. telling me what wasn't good, what to wrtie next. keeps me focused on actually wrting. plus when we get blocked, we chat about life and girlfriends and what not. and we argue. last night we got yelling mad over a description point that bore no relation to the story and the reader wouldn't notice. but that helps too, in the long run.

I am just saying some of us writer types have a lot of fun day dreaming, and a little push (or out right goading) might be needed to make us pick up a pen. I know I did.

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